Michèle Dodd - Artist, Writer

Q: What was it like being a middle child?
A: You don’t really notice it until you see other middle children and realise, yes, that’s me. I just fit the category perfectly.

Q: Where did your interest in art come from?
A: I could always draw. From the time I was small at school, I just had that ability. I thought everyone else could draw, so when people asked me to do it, I didn’t realise it was anything special.

Q: How would you describe your art?
A: Semi-realistic, sometimes quirky, often quite illustrative. I love strong, vivid colours with softer subjects—animals, birds, nature. Illustration has always been my thing, though I also write.

Q: And where did writing come in?
A: I’ve always loved writing, though I suffer from imposter syndrome and still worry about being “good enough.” But writing, like drawing, makes me feel good—it’s another creative outlet.

Q: When you were leaving school, what career did you imagine?
A: I actually wanted to be a vet. I loved art, but I couldn’t see a future in it at the time. I went into art at RMIT, but part of me sometimes wishes I’d pursued veterinary science.

Q: Do you consider that a regret?
A: Probably. Art has been fulfilling at times but also devastating, and it’s never made me rich. Sometimes I wish I’d had a more structured career and done art on the side.

Q: Tell me about the Black Saturday fires.
A: Our house burnt down and I lost everything—my folio, manuscripts, my identity. For a while I didn’t think I could draw again. It took me 10 years to recover. My relationship broke down, and I was looking after the kids alone. But I’ve come through it.

Q: Was creating the commemorative gum leaf artwork cathartic?
A: Yes, it was. Writing, though, became even more important for my recovery. I wrote about the fires, and also about the contrast of moving from the bush to suburbia—it was very healing.

Q: So where are you now? More a writer or an illustrator?
A: Both. I’ve just finished a bird series that nearly got taken up by Allen & Unwin, and I’ll keep pursuing that with other publishers. I’ve also completed two novels—one middle grade, one adult—that I’m pitching soon.

Q: How do you deal with rejection?
A: I’m used to it. I almost expect rejection now, but when you get good feedback it lifts you. Losing everything in the fires gave me perspective—rejection doesn’t faze me too much anymore.

Previous
Previous

Joel Harris

Next
Next

Joan Fleming