Rod Lara - Mime, Chaplin Impersonator, Performer
Q: What sparked your passion for Chaplin impersonation and mime?
A: As a kid, I watched legends like Chaplin, Harold Lloyd, Buster Keaton, Laurel and Hardy—I was fascinated by them. I couldn’t believe they performed their own stunts, but what truly captivated me was their impeccable comedic timing.
Q: Can you share your background and how mime came into your life?
A: I’m originally from Chile, but growing up in Australia, I felt very self-conscious—my accent made me stammer, and I was often nervous speaking. One day, a teacher suggested I try mime. I’d never heard of it, but as soon as I experienced it, I knew: this was my voice.
Q: You’re now recognized as one of Australia’s top mime and silent artists. What does that look like in practice?
A: I perform across the country—corporate gigs, stage shows, theatre, TV, and charity functions. While corporate work pays the bills, I love blending physical comedy, mime, clowning, dance, and even breakdancing to create a unique, silent character that resonates with all sorts of audiences (rodlara).
Q: You combine technique with artistry—what’s that like for you?
A: I dig deep into the technical details and also the creative heart of each bit. For example, I learned a fun trick about Chaplin’s gait: he wore his shoes on the wrong feet, which made his legs appear bow-legged. I’ve adopted that—and other subtle techniques—to enrich my impersonations.
Q: What world-class training and achievements have shaped your career?
A: I trained in circus arts and hold a Film & TV degree from the Victorian College of the Arts. Over 20+ years, I’ve developed my own shows—like Top Marx: The Ultimate Marx Brothers Revue (2012–13), and Last Mime Standing at the 2014 Melbourne Comedy and Fringe festivals. I’ve also performed in productions for Opera Australia, appeared on TV programs such as The Great Debate, Jumping Jellybeans, and starred in commercials and US series where I often play mime roles.
Q: Your journey sounds impressive. What about your personal path—what's the story with your parents?
A: That’s a bit tender. For 15 years, I had no contact with my father—he thought mime was a waste of life. Then, one day, someone told me he was in the audience during a performance. I looked through the curtains, saw him, and despite my nerves, I went ahead. After the show, we reconciled. He still doesn’t fully understand my art, but he’s come to accept—and even support—it.
Q: Do you have any regrets looking back?
A: Not really—except letting 15 years slip by before that reconciliation with my dad.